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Julia Reinholt

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Daniel Unverricht

The ambiguities of shadow in Daniel Unverricht’s oil paintings capture a sense of dislocation of the impending journey into the unknown.

Unverricht has attained an independent and unique view of society, providing a rare insight into the urban nocturnal underworld of New Zealand.

Although Unverricht depicts the deserted streets of his hometown in Hawke’s Bay, they could be located anywhere in New Zealand. What would be very ordinary street scenes by daylight have been transformed into something quite extraordinary. If you like dark, dramatically lit realism. Daniel Unverricht is throwing illumination on the bits and pieces of everyday, or overnight, life in small-town New Zealand. A lurid light makes a mystery of petrol stations, supermarkets and Great Cutz, the hairdresser. Unverricht’s depiction of the urban environ demonstrates his continual concern for chiaroscuro. While his paintings alternate in scale from large to small, his treatment of the subject and focus on light and shadow remains constant. Artificial light spills from shop windows, telephone boxes, neon signs and street lamps casting harsh shadows and contrasting sharp outlines on the surrounding buildings to create a charged atmosphere. Emotive tension is further enhanced by the implicit presence yet unsettling absence of humans.

Unverricht creates an environment of claustrophobic unease in which he expresses the often-unacknowledged fear and human isolation city life generates.

“The relationship between light and dark is interesting: the idea that shadows can physically consume space and objects, that artificial light (from streetlights) can give a false sense of security. Lit up cities have pseudo safety. I want my work to capture that with areas of inescapability and multiple-choice exits. You can’t escape the ambiguity of shadow.” (2)

(1) T.J. McNamara, The New Zealand Herald,  2003
(2) Daniel Unverricht, Artist Statement, 2004

Daniel has exhibited alongside Laurence Aberhart at the gallery, currently only these two paintings remain.

Drawback Hastings 2007
Central 2016

Unverreicht is represented by {SUITE} gallery Wellington, we feel very privileged to have a few of his exquisite works in Northland.

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  • One of the two beautiful Fran  Leitch drawings on its way to a new home in Melbourne. These recently arrived back from Wellington where they hung in the Academy of Fine Art. They sold before I could hang them !  Fran Leitch#northlandart#juliareinholtcontemporaryart#
  • Reclining in Red , charcoal & acrylic on paper by John Oxborough has found a new home overseas.
www.juliareinholt.co.nz#johnoxboroughfineartandinteriors #kerikeri#northlandart#
  • Baal Shamin ( temple of Bel ) destroyed . Acrylic and ink on paper by Julia Reinholt. Hanging in a new home in Sydney . www.juliareinholt.co.nz
  • Fran Leitch's 'Above & Beyond' mixed media on paper. #Fran leitch#. www.juliareinholt.co.nz

julia reinholt contemporary art | consultant

Copyright © 2019 · Julia Reinholt Contemporary Art | Consultant · Log in

Copyright © 2019 · Julia Reinholt Contemporary Art | Consultant · Log in